Producer Strategy in Distribution of Yogyakarta Special Fund Documentary Film “YK48”

Authors

  • Azzahra Silvia Basri Universitas Muhammadiyah Yogyakarta
  • Budi Dwi Arifianto Universitas Muhammadiyah Yogyakarta

Keywords:

Film Distribution, Documentary, Strategic Producer, YK48, Film Community

Abstract

Documentary films face challenges in distribution, especially in reaching a wider audience. This study analyzes the distribution strategy of the documentary film "YK48," funded by the Yogyakarta Special Fund (Danais) by Pehagengsi. Using a qualitative approach with a case study method, data was collected through in-depth interviews, observations, and document studies. The study results show that the distribution strategy of "YK48" focuses on community screenings as the main channel, supported by film festivals, social media, and collaboration with alternative screening spaces. This community-based approach allows the film to reach more audiences even though it does not prioritize distribution in cinemas or digital platforms. The film won an award at the 2023 Tanah Lado Film Fest and received a recommendation from the Indonesian Film Festival (FFI). This study confirms that a community-based distribution strategy can be an effective model for independent filmmakers to expand the reach of documentary films in Indonesia.

Author Biographies

Azzahra Silvia Basri, Universitas Muhammadiyah Yogyakarta

Faculty of Social and Politic Sciences, Universitas Muhammadiyah Yogyakarta

Budi Dwi Arifianto, Universitas Muhammadiyah Yogyakarta

Faculty of Social and Politic Sciences, Universitas Muhammadiyah Yogyakarta

References

Aguayo, A. J. (2019). Documentary Resistance. Oxford University Press.

Anderson, C. (2006). Long_Tail_Chris_Anderson_Motamem_Org. J. Prod. Innov. Manag. 24 (3) (2006) 274–276, 238. http://dl.motamem.org/long_tail_chris_anderson_motamem_org.pdf

Arifianto, B. D., & Junaedi, F. (2014). Distribusi dan Eksibisi Film Alternatif di Yogyakarta, Resistensi atas Praktek Dominasi Film di Indonesia. Jurnal ASPIKOM, 2(2), 74. https://doi.org/10.24329/aspikom.v2i2.61

Bone, U. M. (2019). SEMIOTIK (Issue January). https://doi.org/10.13140/RG.2.2.21963.41767

Cubitt, S. (2005). Distribution and Media Flows. Cultural Politics, 1(2), 193–214. https://doi.org/10.2752/174321905778054809

Dani, A. S. (2023). Strategi Distribusi Film Dokumenter the Endgame. Sipadu.Isi-Ska.Ac.Id. https://sipadu.isi-ska.ac.id/mhsw/laporan/laporan_6549230711221814.pdf

Eric Sasono et al. (2011). Menjegal Film Indonesia: Pemetaan Ekonomi Politik Industri Film Indonesia. Rumah Film & Yayasan Tifa.

Handanti, N. (2022). Peran Produser Dalam Pembuatan Film Pendek Fiksi Bergenre Drama Delapan Warna Pelangi. Inter Community: Journal of Communication Empowerment, 2(2), 1–16. https://doi.org/10.33376/ic.v2i2.525

Iswahyuningtyas, C. E., & Hidayat, M. F. (2021). Strategies and Challenges in Conventional and Digital Film Distribution and Exhibition in Indonesia. Jurnal Komunikasi, 13(1), 133. https://doi.org/10.24912/jk.v13i1.10033

Kukuh. (2024). Hasilkan 120 Karya Sinema, Pendanaan Film dari Danais Mencapai Rp24 Miliar. GATRA Com. https://www.gatra.com/news-597502-regional-hasilkan-120-karya-sinema-pendanaan-film-dari-danais-mencapai-rp24-miliar.html

Lauren Carroll Harris. (2016). Current Standards and Alternatives. International Journal of Cultural Policy.

Morrisan. (2013). Manajemen Media Penyiaran (Startegi Mengelola Radio & Televisi). Prenadamedia Group.

Murti, B. (2013). Desain dan Ukuran Sampel untuk Penelitian Kuantitatif dan Kualitatif di Bidang Kesehatan. Gadjah Mada University Press.

Permana, R. S. M., Puspitasari, L., Indriani, S. S., & Hafiar, H. (2019). Strategi Komunikasi Pemasaran Film Indie: Model Pemasaran Dan Distribusi Film Indie Indonesia. Journal of Urban Society’s Arts, 5(2), 74–86. https://doi.org/10.24821/jousa.v5i2.2120

Prihatsanti, U., Suryanto, S., & Hendriani, W. (2018). Menggunakan Studi Kasus sebagai Metode Ilmiah dalam Psikologi. Buletin Psikologi, 26(2), 126. https://doi.org/10.22146/buletinpsikologi.38895

Rozali, Y. A. (2022). Penggunaan Analisis Konten Dan Analisis Tematik. Penggunaan Analisis Konten Dan Analisis Tematik Forum Ilmiah, 19, 68. www.researchgate.net

Sianipar, C. I., & Panjaitan, U. (2019). Pengaruh Bauran Pemasaran (Produk, Harga, Saluran Distribusi, Promosi) terhadap Keputusan Pembelian Rumah Pada PT. Yasa Karya Indonesia Medan. Jurnal Creative Agung, 9(2), 102–120.

Sutriani, E., & Octaviani, R. (2019). Topik: Analisis Data Dan Pengecekan Keabsahan Data. INA-Rxiv, 1–22.

Tamara Indratmo, K. A. (2022). Tinjauan Hukum Perlindungan Hak Cipta Film Dokumenter Dan Peluang Hak Ekonomi Insan Perfilman Dokumenter Di Indonesia. Jurnal Hukum & Pembangunan, 1(1). https://doi.org/10.21143/telj.vol1.no1.1005

Thompson, D. B. dan K. (2016). Film Art: An Introduction (11 th). McGraw-Hill Education.

van Heeren, K. (2012). Contemporary Indonesian Film: Spirits of Reform and Ghosts from the Past. KITLV Press.

Yin, R. K. (2019). Studi Kasus: Desain & Metode (Penerjemah: M. Djauzi Mudzakir). RajaGrafindo Perkasa.

Downloads

Published

2025-06-30