Micro-Affiliate Persuasion Strategies in Banjar Cultural Communication within TikTok Affiliate Ecosystem in South Kalimantan

Authors

  • Noviana Sari Universitas Lambung Mangkurat

Keywords:

TikTok Affiliate, micro-affiliate, persuasion strategy, cultural communication, Banjar, Influencer Marketing

Abstract

The development of the creator economy on social media has given rise to new digital marketing practices through the TikTok Affiliate program, where creators act as intermediaries for product promotion while earning commissions from sales. In practice, micro-affiliates rely not only on commercial promotional strategies but also utilize personal, cultural, and affective communication approaches to build rapport with their audiences. This study aims to analyze how micro-affiliate persuasion strategies are constructed within Banjar cultural communication within the TikTok Affiliate ecosystem in South Kalimantan. This study used a qualitative approach with content analysis of TikTok video content produced by five micro-affiliate creators actively promoting skincare products. Data were collected through observation of video content, digital documentation, and categorization of communication elements that emerged within the content, such as narrative form, use of local language, visual representation of the body, affective performance, and purchase strategies. The results indicate that the persuasive strategies used by micro-affiliates are formed through three main patterns. First, relational persuasion, manifested through narratives of personal experiences and the use of Banjarese language to create cultural rapport with the audience. Second, demonstrative persuasion, which involves using the creator's body as a visual medium to demonstrate the use and effectiveness of skincare products. Third, implicit economic persuasion, which displays pricing information or promotions without a direct call to purchase. The findings of this study indicate that micro-affiliates function not only as digital marketing agents but also as mediators of cultural communication, connecting digital consumption practices with local identities. Thus, TikTok Affiliate practices are not merely platform economic activities but also a communication process involving the production of cultural meaning within the social media space.

References

Abidin, C. (2016). Visibility labour: Engaging with influencers’ fashion brands and #OOTD advertorial campaigns on Instagram. Media International Australia, 161(1), 86–100. https://doi.org/10.1177/1329878X16665177

Abidin, C. (2018). Internet celebrity: Understanding fame online. Emerald Publishing. Baym, N. K. (2018). Playing to the crowd: Musicians, audiences, and the intimate work of connection. New York University Press.

Bishop, S. (2019). Managing visibility on YouTube through algorithmic gossip. New Media & Society, 21(11–12), 2589–2606. https://doi.org/10.1177/1461444819854731

Couldry, N., & Hepp, A. (2017). The mediated construction of reality. Polity Press. Cunningham, S., & Craig, D. (2019). Social media entertainment: The new intersection of Hollywood and Silicon Valley. New York University Press.

De Veirman, M., Cauberghe, V., & Hudders, L. (2017). Marketing through Instagram influencers: The impact of number of followers and product divergence on brand attitude. International Journal of Advertising, 36(5), 798–828. https://doi.org/10.1080/02650487.2017.1348035

Duffy, B. E. (2017). (Not) getting paid to do what you love: Gender, social media, and aspirational work. Yale University Press.

Fuchs, C. (2014). Digital labour and Karl Marx. Routledge.

Fuchs, C. (2017). Social media: A critical introduction (2nd ed.). Sage Publications. Jin, S. V., Muqaddam, A., & Ryu, E. (2019). Instafamous and social media influencer marketing. Marketing Intelligence & Planning, 37(5), 567–579. https://doi.org/10.1108/MIP-09-2018- 0375

Khamis, S., Ang, L., & Welling, R. (2017). Self-branding, ‘micro-celebrity’ and the rise of social media influencers. Celebrity Studies, 8(2), 191–208. https://doi.org/10.1080/19392397.2016.1218292

Mosco, V. (2009). The political economy of communication (2nd ed.). Sage Publications.

Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production. New Media & Society, 20(11), 4275–4292. https://doi.org/10.1177/1461444818769694

Poell, T., Nieborg, D., & Van Dijck, J. (2019). Platformisation. Internet Policy Review, 8(4), 1–13. https://doi.org/10.14763/2019.4.1425

Senft, T. M. (2013). Microcelebrity and the branded self. In J. Hartley, J. Burgess, & A. Bruns (Eds.), A companion to new media dynamics (pp. 346–354). Wiley-Blackwell.

Srnicek, N. (2017). Platform capitalism. Polity Press.

Van Dijck, J., Poell, T., & De Waal, M. (2018). The platform society: Public values in a connective world. Oxford University Press.

Vrontis, D., Makrides, A., Christofi, M., & Thrassou, A. (2021). Social media influencer marketing: A systematic review. International Journal of Consumer Studies, 45(4), 617–644. https://doi.org/10.1111/ijcs.12647

Wellman, B., & Rainie, L. (2012). Networked: The new social operating system. MIT Press. Zulli, D., & Zulli, D. J. (2020). Extending the Internet meme: Conceptualizing technological mimesis and imitation publics on the TikTok platform. New Media & Society, 24(8), 1872–1890. https://doi.org/10.1177/1461444820983603

Yin, R. K. (2018). Case study research and applications: Design and methods (6th ed.). SAGE.

Downloads

Published

2026-06-30